Hawksley, Lucinda. March, Women, March. London: André Deutsch, 2013.
Lucinda Hawksley’s March, Women, March, recently released in paperback, serves as a fantastic introduction to the history of the women’s movement in the UK, introducing the reader to all the key players from Mary Wollstoncraft through to Christabel Pankhurst, including quite a few who are not so well known nowadays. The book traces the struggle for women’s rights and female suffrage from the end of the eighteenth century to the late 1920s, using extensive quotes from those directly involved to help tell the story.
Hawksley uses numerous extracts from the diaries, letters and publications from those directly involved in the events she describes, so much of the story is told in the words of those who were there and took part. Not only does this act as proof of the huge amount of research that must have gone into the book, it also gives it a personal feel; you can almost feel the determination and strength of the women emanating from the pages.
One of the great strengths of this book is the fact that it tells the whole story of the women’s movement, putting the well-known suffragettes into the context of their predecessors and contemporaries. The Women’s Social and Political Union (WSPU) and the suffragettes did not spring up out of nowhere- they were inspired by, and worked alongside, vast numbers of other women such as Caroline Norton, Clementina Black and Charlotte Despard. March, Women, March acknowledges and celebrates the whole of this history, not just the bits that have successfully made their way into the collective consciousness.
In fact, my main criticism of the book is that I would have liked more detail about the early pioneers of the women’s movement. Women such as Caroline Norton, who railed against the way that she was treated by both her husband and the law after her marriage, and campaigned tireless for the rights of married women to see their children and control their own income, are much less familiar to me than the Pankhursts, and I would have liked to hear more about them.
March, Women, March also puts the campaign for suffrage into the context of other campaigns that aimed to benefit women, such as attempts to raise awareness about sexual health and contraception, and the ‘rational dress’ movement, which sought to free women from the physical constraints of tight corsets, high heels and excess frills and bows. These campaigns made social pariahs of their champions, appalling mainstream society with their frank and radical opinions. Many of the campaigners, such as Clementina Black who worked tirelessly to improve the conditions of working women, believed that the situation would not truly improve until women were granted the vote, for why should politicians listen to them when they could not influence the outcome of elections? Everything came back to suffrage.
If you are acquainted with the events and figures of the women’s suffrage campaign after 1900, much of this book will feel familiar, although you will probably still learn something new. If you are not familiar with the activities of the WSPU and others, then this book is an ideal introduction to the topic. Either way, March, Women, March is a very enjoyable read, and I would highly recommend it.
Turbulent Isles 