I have been studying the historical geography of protest for the last four years. For most of that time, I have wanted to visit the People’s History Museum. The problem was that I am normally in the south of England, and the museum is in Manchester. Last week, I visited Manchester and finally got to see the museum, and I was not disappointed!
The People’s History Museum started life as a collection of protest-related material belonging to a group of activists in the 1960s. They opened a museum in London in the 1970s, but it struggled financially. In the 1980s, the collection was rescued by Manchester City Council and Greater Manchester authorities, with some help from the TUC. In 1990, the People’s History Museum opened on Princess Street in Manchester, in the same building where the TUC had its first meeting, over one hundred years before. In 1994, the museum opened a second site at its current location—an old pump house on Bridge Street. In 2010, the museum relaunched in a restored and expanded pump house. Now the museum has several permanent galleries, a temporary gallery space, and meeting and conference rooms. It describes itself as “the national museum of democracy,” and receives around 100,000 visitors a year.
The permanent gallery spaces are arranged in a largely chronological order. The zones are colour coded, each colour chosen for its symbolism in radical culture (e.g. red for courage and revolution, blue for loyalty). The galleries are accessible, interactive, child-friendly, and well-paced. There is a nice balance between individuals, groups, and events, and between parliamentary and extra-parliamentary politics. I think it is important to highlight the connections between these elements, as it is all too easy to focus solely on one. Whilst the galleries begin with the Peterloo massacre, a local event, the rest of the museum covers the whole country. The museum presents itself as a national museum, and I think it lives up to that.
For me, there were two threads running through the galleries that connected everything together. The first was a series of videos about 5 generations of one family. With each family member, the videos and accompanying text explained what life was like for the individual, what rights and services they were entitled to, and whether or not they could vote. They demonstrated how the conflicts and struggles described in the displays affected people in very real ways, from working conditions to healthcare.
The second unifying thread running through the galleries was the banners. The People’s History Museum has one of the largest collection of protest banners in the country, and they are the only group that specialises in the restoration and preservation of these kinds of banners. There are banners on display in every area of the galleries, from the oldest surviving trade union banner, to a banner protesting the 2012 Bedroom Tax. Some are highly detailed, others were obviously made very quickly, but all are striking. They illustrate that whilst there have been many changes over the past two and a half centuries, there are also a lot of continuities in radical culture. Banners have provided a sense of identity and belonging for radical groups for decades.
The museum has an open approach to curation which I like. The plaques describing items often explain how the items came into the museum’s collection. Many items were donated by activists or their descendants, and there can sometimes be a disconnect between the received history of an event and the stories that are attached to particular items and passed down through generations. All museums have to make decisions about the authenticity of the items in their collections, but most cover up this process. The People’s History Museum does not, asking the visitor to reflect on such issues—would you trust the descendants of a protester over historians? I liked this honesty, and appreciated the way it engaged visitors in the ongoing debate about how best to represent history.
The People’s History Museum is well worth a visit, even if protest is not something that particularly interests you. It is a museum of social history as well as radical history, and as I look back on 2016 it is a much-needed reminder that many of the rights and privileges we take for granted today had to be fought for, tooth and nail, by earlier generations. If we are not willing to fight, just as fiercely, to protect them, we will lose them.
Turbulent Isles 