Protest Sydney: Stickers

A World Wildlife Fund sticker in front of the Sydney Opera House (Photo: Hannah Awcock).

In the summer of 2019, I was lucky enough to spend 3 weeks travelling around Australia and New Zealand with my sister. As usual, wherever I went I kept an eye out for protest stickers, and the Antipodes did not disappoint. The first city we visited was Sydney. Founded in 1788 by the British as a penal colony, it is now Australia’s largest city.

I thought this sticker might have something to do with immigration policy, but it turns out that Keep Sydney Open was founded to campaign for an evidence-based approach towards policy on the nighttime economy. They felt that they weren’t being listened to as a campaign group, however, so in 2018 became a political party and broadened the range of issues they are concerned with. I found this sticker in Bondi Beach, one of Sydney’s most famous suburbs (Photo: Hannah Awcock).
Another political party who have left their traces in Bondi Beach is The Greens, a left wing party with four main principles: ecological sustainability, grassroots democracy, social justice and peace and non-violence. Sydney is one of the most expensive cities in the world, so it is not surprising that housing is an important political issue (Photo: Hannah Awcock).
Alongside local politics, the protest stickers in Hong Kong also reflected global issues. Here, a post-it note has been drafted into service as a protest sticker supporting the recent protests in Hong Kong. Since June, protesters have been clashing with police in Hong Kong over China’s increasingly repressive rule. At the time of writing this post in early October, there is no sign of either the protesters or the Chinese government backing down. Solidarity protests have taken place around the world, including Sydney, Taiwan, and Melbourne (Photo: Hannah Awcock).
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Another global movement that only seems to be increasing in momentum is Extinction Rebellion. Founded in the UK in late 2018, this leaderless, nonviolent movement has spread around the world, including several global days of action. The Australian Extinction Rebellion seems just as determined as any other group to get their demands met (Photo: Hannah Awcock).
It is clear that not everyone supports the aims of Extinction Rebellion, as someone has tried to obscure the message of this sticker. There is something written over the image too, but I cannot make it out. The Australian government is currently led by Prime Minister Scott Morrison, who does not seem to view climate change as too much of a priority (Photo: Hannah Awcock).
This sticker, produced by the Greens, is also suggesting that significant political reform is needed in order to effectively counter climate change (Photo: Hannah Awcock). 
This sticker was also produced by the Greens, and it highlights the negative impacts of climate change that go beyond climate change (Photo: Hannah Awcock).
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Save Poppy is an organisation that aims to persuade people to give up meat by sharing information about the “cruelty, environmental destruction and the health impact of animal agriculture.” (Photo: Hannah Awcock).
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This is another sticker promoting Protest stickers promoting veganism have become increasingly common over the last few years. Many of them take a similar approach to this one, arguing that it is hypocritical to love animals and eat meat (Photo: Hannah Awcock).
This is very poetic for a protest sticker. The A in a circle is a common anarchist symbol, and many anarchists believe that prisons should be abolished (Photo: Hannah Awcock). 
Same-sex marriage was legalised in Australia in 2017, so this sticker is a bit of an antique by protest sticker standards! (Photo: Hannah Awcock). 
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What protest sticker blog post is complete without an anti-fascist sticker? Anti-fascist Action was originally founded in the UK in 1965, but there are now branches all over the world (Photo: Hannah Awcock).

Protest Stickers: New York City 2, Part 2

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Stickers obscuring a road sign in New York City (Photo: Hannah Awcock).

Street art is everywhere in New York City, and it comes in all shapes and sizes. For those of you that are new to Turbulent London, I am especially interested in stickers, particularly those with political subject matter. So on a recent trip to New York City, I took my camera and my habit of photographing random bits of street furniture to see what protest stickers I could find on the streets of the city that never sleeps. This is the second time I have visited NYC since I started photographing protest stickers, and the first time I struggled to find many. This time however, I found so many stickers that I have decided to do two blog posts, hence the slightly awkward title (the first post, published last week, is here). In the last post, I looked at the different kinds of issues which protest stickers address, the different types of stickers you can find, and some of the most common themes in the stickers I found. This post is far less organised I’m afraid, its just everything else that I wanted to include!

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Some American industries. including the building trade, still have very strong unions. Builders in New York tend to plaster their hard hats with stickers, so that they become a walking representation of their unions and the causes that they consider to be important (Photo: Hannah Awcock).
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Last week I talked about some of the most common themes that came up in protest stickers, police brutality and the upcoming Presidential election. Animal rights was another common theme; this sticker contains the web addresses of, which shows abuse at factory farms, and In Defense of Animals, a group which campaigns for animal rights, welfare and habitat (Photo: Hannah Awcock).
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This sticker also references, but it is not quite as well made as the last one. I remember seeing this sticker design when I was here in 2015, so there’s a chance this particular sticker has been there quite a while (Photo: Hannah Awcock).
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This sticker criticises people who wear fur. The picture is unclear because the sticker has been wrinkled by rain, but the message is still pretty clear thanks to the huge red writing (Photo: Hannah Awcock).
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Feminism was a less common theme, but it did crop up now and again (Photo: Hannah Awcock).
I found this sticker on some scaffolding right outside our hotel when we first arrived- I took it as a good omen for the trip! (Photo: Hannah Awcock).
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The East Village is one of the ‘coolest’ neighbourhoods on Manhattan, and some stickers are local to this area. The Shadow claims to be New York’s only underground newspaper, and is published from the lower East Side. It was started in 1989, after local people were disillusioned by the mainstream media’s coverage of the Tompkins Square Park riot in 1988. I featured one of The Shadow‘s stickers last time, but didn’t know the story behind it until this trip (Photo: Hannah Awcock).
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This sticker was produced by the Museum of Reclaimed Urban Space, which is located in a squat on Avenue C. The Museum is volunteer-run, and focuses on grassroots campaigns to keep communal spaces in the city out of corporate hands (Photo: Hannah Awcock).
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The clenched, raised fist is a common symbol of dissent (Photo: Hannah Awcock).
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This sticker has been partially obscured, but it reads “We stand with Texas Women, and we won’t sit down!” It was produced by Ultraviolet, a group that campaigns for women’s rights. This particular campaign is about preventing attempts to restrict access to abortions in Texas (Photo: Hannah Awcock).
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Being a millennial myself I find this a little harsh, but everyone is entitled to their opinion I guess! (Photo: Hannah Awcock).
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The SEIU is the Services Employees International Union, and 32BJ is the local New York branch. It represents cleaners, security guards, and others whose work involves the maintenance and servicing of buildings (Photo: Hannah Awcock).
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New York City has rents comparable to London, and it must be difficult for small businesses to survive. Save NYC is a campaign to “preserve the diversity and uniqueness” of New York. This was in the window of a dry cleaners in the East Village (Photo: Hannah Awcock).
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This sticker has adapted the design of the one dollar bill to call for the legalisation of cannabis (Photo: Hannah Awcock).
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This stickers celebrates the actions of Edward Snowden, a whistleblower who leaked information from the National Security Agency in 2013 which sparked intensive debate about the balance of individual privacy and national security. sells stickers, shirts and patches related to various campaigns (Photo: Hannah Awcock).
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This sticker promotes Save Stonewall, a campaign to create a national park to commemorate the Stonewall Riots, which took place in Greenwich Village in 1969 (Photo: Hannah Awcock).
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Parent Team is a group which supports parents of children dealing with drug or alcohol addiction. Here they are calling for free childcare for all, which doesn’t quite match up with their main purpose, but is an admirable goal none the less (Photo: Hannah Awcock).
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This is a sticker produced by the street artist and anti-war activist Jef Campion (a.k.a. Army of One/JC2). He used his art to emphasise the ill effects of war. He passed away in 2014, but his memory lives on in his street art (Photo: Hannah Awcock).
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This photo illustrates how the location of a sticker can influence or reinforce its meaning. This sticker was placed on the stop sign at a pedestrian crossing, emphasising its anti-gentrification message (Photo: Hannah Awcock).
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The International Museum for Activist Art is a website which displays art that aims to raise awareness of the issues facing society, and I would definitely recommend having a browse through it (Photo: Hannah Awcock).
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I found this in Washington Square Park on my last day in New York. It uses the story of Goldilocks to call for the preservation of our planet. Earth is ‘just right’ for human habitation, a rare attribute that we shouldn’t take for granted (Photo: Hannah Awcock).

Protest Stickers: New York City 2, Part 1

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A doorway in Greenwich Village with a high concentration of street art and stickers (Photo: Hannah Awcock).

New York City has a thriving street art culture. Almost every neighbourhood has walls covered in art, both official and unofficial. There are also a lot of stickers, of all kinds- I spotted one sticker advertising a new novel, which is something I haven’t come across in London before. Lots of stickers generally means lots of protest stickers, and during the week that I was there in early March I found loads. I wouldn’t like to say whether the amount of protest stickers is increasing, or I have just got better at spotting them since I visited last time, but it certainly felt like there were a lot. I found so many in fact, that I have decided to split this post into 2 parts, with Part 2 being published this time next week.

Protest stickers are a great way of seeing what kinds of issues are important to the people of a city. Some themes crop up again and again, whilst other topics just appear to be a particular bug bear of one zealous stickerer (I am still looking for a less clumsy way of referring to people who put up stickers!) Stickers are just one of the ways in which protest imprints itself onto the physical fabric of a city, but they can also be one of the most long-lasting, although their transience is one of their defining characteristics.

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As in London, gentrification is a contentious issue in New York City. These stickers are drawing attention to the issue in a tongue-in-cheek manner (at least I hope it is!) (Photo: Hannah Awcock).
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You can find stickers about a whole range of issues, relating to a whole range of scales. The relevance of this sticker is confined to New York City (Photo: Hannah Awcock).
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Some stickers refer to national scale issues. The upcoming Presidential election is just about all anyone can talk about in America at the moment, and this obsession is reflected in New York’s protest stickers (Photo: Hannah Awcock).
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Some stickers are about international scale issues. In case you can’t read the top line, this sticker says “Stop Iran- We Stand with Israel” (Photo: Hannah Awcock).
There are some stickers that defy scale; this sticker doesn’t refer to any issue in particular, instead advocating a more forgiving attitude that could probably help a lot of contentious situations (Photo: Hannah Awcock).
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This sticker also takes an abstract approach. It is by a street artist called @ApillNYC who, despite the @, has very little information about them on the internet (Photo: Hannah Awcock).
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Some stickers are not even remotely relevant to New York City. This sticker comes from the Hillsborough Justice Campaign, which seeks justice for the 96 people who died in a crush at Hillsborough Football Stadium in Sheffield in the United Kingdom. I have seen these stickers before in London and I was very excited to find them here, on the viewing platform at the top of the Rockefeller Centre (Photo: Hannah Awcock).
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As well as relating to a whole range of scales, protest stickers come in a whole range of forms. This sticker is basic, and was probably quite easy to make (Photo: Hannah Awcock).
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Whereas this sticker blurs the boundary between protest sticker and street art, and likely took a lot longer to produce. This sticker, which I suspect was pasted to the wall rather than being stuck with its own adhesive, is by someone called Individual Activist (Photo: Hannah Awcock).
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One of the most common themes of protest stickers in New York City is policing. There has been widespread controversy in America over the past few years over the treatment of civilians by police officers, particularly when it comes to ethnic minorities. Rise Up October was organised by the Stop Mass Incarceration Network (Photo: Hannah Awcock).
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This sticker plays on the idea that the police should protect citizens, rather than pose a threat to them. In reality, the police can pose a threat, particularly to members of ethnic minorities (Photo: Hannah Awcock).
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To serve and protect is another phrase commonly associated with the police. This sticker is implying that the police serve and protect property, rather than people (Photo: Hannah Awcock).
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This sticker is advertising a different demonstration against police brutality. I think that #Octresist was also organised by the Stop Mass Incarceration Network, in 2014. If that is the case, then this sticker is getting quite old! (Photo: Hannah Awcock).
Garden State Ultras are a sports fan group with a radical edge. ACAB (All Cops Are Bastards) is part of the international radical language (Photo: Hannah Awcock).
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This sticker wouldn’t win any prizes for subtlety, but sometimes that is the best way to get your message across (Photo: Hannah Awcock).
As I mentioned before, the Presidential Election is a hot topic in America. Donald Trump is a controversial figure who nobody seems to like, yet he keeps doing well in the primaries (Photo: Hannah Awcock).
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Most New York stickerers seem to be fans of Bernie Sanders. A democrat, he has been called America’s Jeremy Corbyn, he has been giving some people hope that politics can be done differently (Photo: Hannah Awcock).
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This sticker was produced by The Personal Stash, which sells marijuana-themed accessories and promotes the reform of laws relating to marijuana (Photo: Hannah Awcock).
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This sticker comes from Bernie Sander’s official campaign. Sometimes, the line between protest and formal politics can become blurred as radicals attempt to reform the system from within (Photo: Hannah Awcock).
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And just to end the post on a positive note…(Photo: Hannah Awcock)

Don’t forget to check back next week for Part 2 of Protest Stickers: New York City 2!

Tracing Turbulent London in North East England 2: Jarrow

Jarrow is in Tyneside, the name of the conurbation surrounding the river Tyne. Newcastle is also part of it (Photo: Graeme Awcock)
Jarrow is in Tyneside, the name of the conurbation surrounding the river Tyne. Newcastle is also part of it (Photo: Graeme Awcock).

As a national and imperial centre London is, and has long been, a key node in a whole range of networks involving the circulation of ideas, people, and materials. This fact was brought home to me recently when I visited the North East of England. Even though I was about 300 miles away from London, I found multiple connections to Turbulent London. Last week, I wrote about the grave of Emily Wilding Davison, a suffragette from Northumberland who died at the Epsom Derby in 1913. This week, I will be thinking about the ways that the 1936 Jarrow Marchers have been memorialised in their home town in Tyneside.

Jarrow is a small town, with a population of around 30,000. During the industrial revolution the town experienced massive growth thanks to heavy industries like coal mining and shipbuilding. The Palmer’s Shipbuilding and Iron Company shipyard was established there in 1852, and went on to employ as much as 80% of the town’s working population. This dependence on one employer meant that the town was devastated when the shipyard closed in 1933. Unemployment and poverty was rife, setting the stage for the Jarrow March, sometimes called the Jarrow Crusade.

The Jarrow Crusade was a type of protest called a Hunger March. Beginning in the 1920s, groups of demonstrators (normally men) would embark on long marches to London in order to draw attention to issues of poverty, unemployment, and hunger. On the 5th of October 1936, around 200 men set off from Jarrow carrying a petition asking the British government to re-establish industry in the town. 26 days later the men arrived in London, 282 miles away. The House of Commons accepted the petition, but did not debate it. Although they were immediately unsuccessful, the marchers helped develop the attitudes that paved the way for social reform after World War Two.

When I went to Jarrow I found 3 memorials to the Marchers. If you arrive via Tyneside’s Metro train system from the direction of Newcastle and look across to the other platform you will see The Jarrow March, by Vince Rea, unveiled by Neil Kinnock in 1984.

'The Jarrow March' by artist Vince Rea at Jarrow Metro Station.
The Jarrow March by artist Vince Rea at Jarrow Metro Station (Photo: Hannah Awcock).
The Jarrow March is one of the first things you see when you step off the train at Jarrow Metro Station (Photo: Hannah Awcock).

Walking out of the station towards the town centre you have to walk through an underpass, one of several which is decorated with images made up of painted tiles celebrating the town’s history. One of these mosaics shows the Jarrow Marchers.

The image showing the Jarrow March in a local underpass.
The image showing the Jarrow March in a local underpass. A list of the places which the marchers passed through is included on the right (Photo: Hannah Awcock).
Like most underpasses, it is not the most pleasant place (Photo: Hannah Awcock).

Finally, if you walk through the Viking Shopping Centre to the Morrisons Supermarket you will see the life-size bronze sculpture Spirit of Jarrow. The sculpture was commissioned by Morrisons, made by Graham Ibbeson, and named by 2 local residents. The marchers are depicting walking out of the frame of a ship, surrounded by scattered tools. It was unveiled in 2001, marking the 65th anniversary of the March. As in Morpeth, the varying ages of the memorials demonstrate that commemoration is an ongoing process, it has to be constantly renewed and maintained.

The Spirit of Jarrow is outside the local supermarket, very close to the town centre.
The Spirit of Jarrow is outside the local supermarket, very close to the town centre (Photo: Hannah Awcock).
The statue in more detail.
The statue in more detail (Photo: Hannah Awcock).
This plaque in the floor near the statue gives information about it.
This plaque in the floor near the statue gives information about it (Photo: Hannah Awcock).

Although each representation of the Jarrow March uses a different medium, the content is very similar. All 3 show male marchers in flat caps, the ‘Jarrow Crusade’ banner, and a dog- Paddy the dog was apparently the marchers’ mascot. The fact that there are so many representations of the March within a small area suggests that this is an event that the local community are proud of.

A close up of one of the male marchers in Spirit of Jarrow. He is wearing a flat cap. stereotypical of the working class
A close up of one of the male marchers in Spirit of Jarrow. He is wearing a flat cap, stereotypical of the working class, and a badge declaring the marchers’ intention to march on London (Photo: Hannah Awcock).

When comparing these memorials to the grave of Emily Wilding Davison, what really struck me was the difference that location makes. Emily is buried in a churchyard- out of the way, quiet and sedate. You have to consciously decide to go and visit, and for me it felt a little like a pilgrimage. In Jarrow, the memorials are part of the everyday infrastructure of the town and, like a lot of public art, they run the risk of fading into the background. When asking for directions whilst looking for the Spirit of Jarrow, one local woman had no idea what we were talking about. If you travel the same route everyday, you frequently stop noticing what is around you.

Another striking element of the Jarrow memorials was their representations of gender. Both The Jarrow March and the Spirit of Jarrow include a women carrying what appears to be a baby. The only woman permitted to join the march was local MP Ellen Wilkinson, and she only marched sections of the route. No children took part either. The memorials present the March as being more inclusive than it actually was. It is a reminder not to take memorials and other similar representations at face value.

The female marcher in the Spirit of Jarrow carrying a bundle that is probably a baby.
The female marcher in the Spirit of Jarrow carrying a bundle that is probably a baby (Photo: Hannah Awcock).

The proliferation of Hunger Marches as a method of protest in the 1920s and 30s linked London to the rest of Britain in a clear way, and the Jarrow March was no exception. Despite being almost 300 miles away, the people of Jarrow decided that London was where they needed to be in order to get their voices heard. London was, and still is, the political heart of Britain, and as such it interacts with the rest of the country in a whole range of complex and interconnecting ways.

Sources and Further Reading

Anon. “Jarrow Crusade Captured in Bronze.” BBC News. Last modified 5th October 2001, accessed 10th August 2015.

Anon. “Jarrow March.” Wikipedia. Last modified 29th July 2015, accessed 10th August 2015.

Colette, Christine. “The Jarrow Crusade.” BBC History. Last modified 3rd March 2011, accessed 10th August 2015.

Cantankerous Campania

Whenever I travel I keep an eye out for evidence or histories of contention, protest and dissent, and I frequently come across interesting stories.  I  recently got back from a family holiday in Sorrento, a mid-sized city in the Italian province of Campania. As well as the city of Naples, Campania is home to some of Italy’s most popular tourist attractions, including Vesuvius, Pompei and the Amalfi Coast. During my holiday, I came across several examples of protest and contentious politics, both historic and contemporary.

Some Light-hearted Graffiti in Sorrento.
Some Light-hearted Graffiti in Sorrento (Photo: Hannah Awcock).

Pompei is perhaps the most famous tourist attraction in Campania, a Roman city buried during an eruption of Vesuvius in 79 AD, and remarkably well preserved as a result. The city has 2 amphitheatres that are open to the public, one of which was the site of a riot in 59AD, between the local Pompeians and the residents of a nearby town called Nuceria. What started as an exchange of taunts and insults at a gladiatorial competition escalated to the throwing of stones, and finally the drawing of weapons. Casualties were suffered on both sides, although the Nucerians apparently came off decidedly worse. It seems likely that the riot was the culmination of long-term resentments between the citizens of the two towns. As punishment, the Pompeians were banned from holding events in the amphitheatre for 10 years. This story helped me to repopulate the ghostly archeological site, and imagine what Pompei was like before its tragic and sudden destruction.

The Amphitheatre in Pompei that Played Host to a Bloody Riot in AD 59.
The Amphitheatre in Pompei that Played Host to a Bloody Riot in AD 59 (Photo: Hannah Awcock).

Of course Campania is not just a tourist destination, it is also a region where millions of people live, and express dissent. Although I don’t pretend to be familiar with Italian politics, or the Italian language, there were quite obvious signs of contemporary contention as we travelled around. I found several stickers for a Naples anti-fascist group (see image below). The first one I noticed was on a train station platform. The local train network seemed to be a focus point of graffiti and stickers, so the anti-facism sticker did not seem out of place. The second time I spotted the sticker was in a much more incongruous location. At the top of Vesuvius there is scientific equipment to monitor the volcano, and provide advance warning for any future eruptions. One such monitoring station was covered in stickers, including the same Naples anti-fascism one I had seen at the station.

A Sticker of a Naples Anti-Fascism Group on a Train Station Platform.
A Sticker of a Naples Anti-Fascism Group on a Train Station Platform (Photo: Hannah Awcock).
The Measuring Equipment Covered in Stickers at the Top of Vesuvius.
The Measuring Equipment Covered in Stickers at the Top of Vesuvius (Photo: Hannah Awcock).

The other example of contemporary contention I noticed was the acronym A.C.A.B. Standing for All Cops Are Bastards, it is something I have become quite familiar with in England in recent years. I was surprised to find it in Italy though, as I assumed that the phrase would be different in Italian. I noticed it several times however, graffitied on a wall near my hotel, and written in black marker on a train window. I was intrigued by the international quality of this radical sentiment.

Some Graffiti in Sorrento Expressing Anti-Police Sentiment.
Some Graffiti in Sorrento Expressing Anti-Police Sentiment (Photo: Hannah Awcock).

The history of protest in London, let alone the rest of the world, is vast, and I will never be able to learn about all of it. However trying to find out the contentious histories of new place that I visit helps me feel like I am getting to know that place slightly better, as well as providing some interesting anecdotes when for when I get home!